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Storm The Gates

Posted on May 12, 2026May 10, 2026 by Kevin

There’s something strangely comforting about Storm the Gates. Of all the older metal bands still releasing basically the same record every few years, Venom might be the most consistent of them all. They are still cranking out songs about hell, war, Satan, evil, and destruction with the enthusiasm of a band half their age. It should be ridiculous by now. Maybe it is ridiculous, but somehow it still works for me.

I remember seeing these guys on TV when I was a kid and believing the whole schtick. Now, I just see them as a great party band that can get an audience dancing and yelling and providing that much needed crowd catharsis. These are good dudes having a good time.

By the time Storm the Gates came out in 2018, nobody was looking for Venom to reinvent themselves. Nobody wanted a mature artistic statement or a polished modern metal album. Fans wanted riffs, pounding drums, snarling vocals, and lyrics that sound like they were written on the side of a leather jacket with a permanent marker. Venom deliver exactly that, and they sound like they are having a blast doing it.

What surprised me most about the album was how slick it actually sounds by Venom standards. This is still dirty, aggressive heavy metal, but the production is much clearer and more powerful than some of their rougher latter-day albums. The guitars have real weight to them, the bass actually rumbles through the mix, and the drums hit hard throughout the entire record. Compared to the gloriously garage-like feel of Metal Black, which is still probably their best modern-era release in my opinion, Storm the Gates feels tighter and more focused.

That cleaner production helps because the riffs are genuinely strong. Venom have never been about technical mastery and thankfully they still are not. The band has always relied on brute force, attitude, and momentum more than precision. The songs here are built around thick, driving riffs that hit like a hammer instead of trying to impress anybody with complexity. Tracks like “Bring Out Your Dead” and the title track barrel forward with exactly the kind of ugly energy you want from a Venom album.

Cronos is still the whole show, really. His voice sounds even rougher now, like it has been soaked in whiskey and dragged across gravel for forty years, but that is part of the appeal. A cleaner or more technically skilled singer would completely ruin this band. Cronos still sounds genuinely menacing in that over-the-top comic book villain kind of way, and he attacks every song with total commitment.

And that commitment is important because Venom have always existed right on the edge of parody. The nonstop references to demons, evil, and chaos should feel tired after all these years, but the band never sounds embarrassed by any of it. That is part of why they still work. So many older metal bands either become self-serious or start sanding off their rough edges with age. Venom still sound like a bunch of lunatics making loud, obnoxious music because they genuinely enjoy it.

There is also something refreshing about how straightforward the album is. No experiments. No attempts to modernize their sound. No unnecessary ballads or bloated ten-minute epics. Storm the Gates knows exactly what kind of album it wants to be and sticks to it from beginning to end. It just pounds away relentlessly for fifty minutes and leaves.

That consistency is honestly admirable at this point. Plenty of legacy metal bands keep releasing albums because the machine demands it, but Venom still sound engaged. There is real energy here. Even when the songs follow familiar formulas, the performances feel alive enough to make it matter.

No, Storm the Gates is not going to win over people who never liked Venom in the first place. If you do not already enjoy this kind of primitive, chaotic heavy metal, this album will not convert you. But for longtime fans, it delivers exactly what you want. Big riffs, pounding drums, ridiculous lyrics, and enough energy to remind you why Venom mattered in the first place.

Sometimes you do not need evolution. Sometimes you just want Venom kicking the door down one more time.

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